Thomas Ellmer – Artists’ Lunchtime Crit
authorship, censorship, objectification and surveillance
Holly Graham – Artists Lunchtime Crit
balancing, being in limbo, practicalities, juggling, having odd-jobs, carving out space, and modes of working within, outside of and along-side art institutional frameworks; a physical to-ing and fro-ing, ducking and diving, navigating and negotiating of place, re-positioning of self, flying limbs and swinging hips, a constant two-step.
Katarzyna Perlak – Artists’ Lunchtime Crit
When you present your work to other artists for feedback, do you contextualise your work first or do you let the work speak for itself?
READING GROUP // Species of Spaces and Other Pieces
Perec wrote a 300-page novel ‘La Disparition’ with no letter ‘e’ in it.
Luke Burton & Anna Salamon – Artists Lunchtime Crit
It was a real pleasure to see the three artists works during the crit and the session provided a lively discussion across the distinct bodies of work.
Kate Turner & Alex McNamee – Artists Lunchtime Crit
Doggerland – prehistoric landmass between England and Europe – mort log – death log – piece of writing – conservational terms – bodily language / romantic language / belching – contradictory to scientific description – personal importance of objects – making / found objects – is showing just the object enough?
Doug Bowen – Artists Lunchtime Crit
Paul Civati – Artist Lunchtime Crit
For November’s Crit, Turf kindly invited Lenses of Croydon to lead. I and other members brought along some work to share. My work primarily focuses on city, streets and cityscapes all across London. We had some interesting discussions on composition, my techniques and the time of day images are shot as light is so important.
JEMMA EGAN – ARTISTS LUNCHTIME CRIT
The pain of clearing a studio. The pain of throwing things away (both materials and art) Maintaining a practice beyond art school
Jess Bryant – Artists Lunchtime Crit
I have attended a few of Turfs’ lunchtime crits, always being surprised and excited by the number of local people these engage (quite a rarity from my experience in galleries) and the crit attendees’ political and creative relationship to the local area, so when I was asked to host one I was delighted.