a hand with the fingertips resting on a wooden table

Performance: Tentacular thinking

Sun 29 April, 3 – 4:30pm // Free + open to all // At Turf

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An improvised performance by Viki Browne, Maggie Nicols, Danni Spooner, D-M Withers and Bryony Gillard in response to the exhibition, A cap like water, transparent, fluid yet with definite body.

Leading on from a series of peer led workshops, this performance is a collaborative response to an established dialogue exploring ‘jelly-fish’ experiences. Using voice, gesture and movement, the group will draw on personal experiences, theoretical texts and collective interpretations, using improvisation as a tool to explore a state of being that unfurls beyond rational structures

 

 

Maggie Nicols is a singer and a pioneer of free improvisation in the UK. She joined London’s legendary Spontaneous Music Ensemble in 1968 and began running voice workshops, using the techniques of the SME’s John Stevens. She also worked in local experimental theatre. Later she was a member of the large ensemble Centipede, led by Keith Tippett. In 1977, with musician/composer Lindsay Cooper, she formed the remarkable Feminist Improvising Group. Maggie continues to perform worldwide and record challenging and beautiful work. When she is not performing solo she collaborates with a wide range of artists including Joëlle Leandre, Irene Schweizer and Phil Minton. Maggie is also a community activist, especially around neuro diversity and mental health. She is passionate about creative liberation and sharing practices of freedom and is currently in the process of writing a book about this.

britishmusiccollection.org.uk/article/interview-maggie-nicols

 

Viki Browne is a white female queer disabled performance artist activist facilitator and director. She makes solo performance about the pathological and social challenges of life and death. Interested in the worst of times, she tackles taboo issues in an unflinching, informed, irreverent and compassionate way. Her work has been performed in small and mid scale theatre and fringe there venues including, Bristol Old Vic, The Northcott Theatre, The Barbican Plymouth and Camden People’s Theatre. Viki is also a mental health activist, has chaired and appeared on panel discussions with charities and services and in 2017 she formed Many Minds a mental health charity that run workshops and make performance with people who have experienced mental ill health.

vikibrowne.com

 

Danni Spooner is a dance and dance maker, currently based in the Midlands. She focuses on gender and technology within her own work, yet tends to perform in work related to fashion and music (although she enjoys experimenting and experiencing lots of different things!) She enjoys boiled tofu and getting dragged up!

dannispooner.com

 

D-M Withers is currently a Research Fellow at the University of Sussex, working on the Leverhulme-funded project The Business of Women’s Words. D-M’s research and pedagogical practice focuses on the relationship between archives and society, exploring themes such as cultural memory and transmission, technology and inscription, political economy and the digital.

d-m-withers.co.uk

KEY ACCESS INFO​

  • To help us support you best, please let us know if you have any access needs when booking.
  • For access info about getting to Turf and the Turf space, click here.
  • Our unit in the Whitgift Centre is 4 minutes walk (0.2 miles) from Wellesley Road Tram stop via the underpass, and 7 minutes walk (0.3 miles) from West Croydon Station and 8 minutes walk (0.4 miles) from East Croydon station.

 

WORKSHOP CODE:

Turf aims to be a space where all are welcomed & respected. We ask all attendees to align with this spirit when booking and support us in creating a welcoming & collaborative atmosphere together. We ask that everyone is;

  • Kind and respectful in our language and behaviour towards others. Turf is a space which is anti racism, sexism, homophobia and ableism.
  • Considerate of others’ time; allowing others room to speak & engage.
  • Respectful of the space itself as belonging to many people, treating the space & objects with care.
  • Attend wherever possible: In 2023, around 30% of people booking free tickets didn’t turn up! Our free tickets are limited and in high demand. Every person who doesn’t turn up means someone else can’t attend, so please let us know if you can’t make it to free up a space. If you don’t attend twice or more without letting us know, you may be restricted from booking again.

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