ARTISTS’ LUNCHTIME FEEDBACK: Led by Ima-Abasi Okon

Jan’s feedback session will be led by Ima Abasi-Okon, currently working in collaboration with Taylor Le Melle on 'Technical Adjacent'

Taking place at the end of each month, our free feedback sessions are a chance to get feedback on your work from a practicing artist in a supportive and friendly environment. All kinds of creative work are welcome.

January’s feedback session will be led by Ima Abasi-Okon who is currently working in collaboration with Taylor Le Melle.

There are five slots available for showing work, but all are welcome to join in the discussion! Please arrive promptly to ensure your place. Email us your images and any additional requirements at holly@turf-projects.com if you’d like us to get images up full scale on our projector.

 

ABOUT IMA ABASI-OKON //

Ima-Abasi Okon lives and works between London and Amsterdam. Selected exhibitions include: Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Handclaps of M’s Hard’Loved’Flesh [I’M irreducibly undone because] —Leanage-Complex-Dub Chisenhale Gallery, London, UK, The Weather Garden: Anne Hardy curates the Arts Council Collection, Towner Art Gallery, Eastbourne; Sur— [MIX-USE COMMODITY] —plus, Kingsgate Project Space, London; Parables for the BLAZER: Mahalia’s EXCISTENCEandEXISTENTS-HyPE fragrant stacking balm (306.HAL), Plaza Plaza, London; 13th Dak’Art Biennale, Dakar, Senegal; There’s something in the conversation that is more interesting than the finality of (a title), The Showroom, London (all 2018); UNTITLED: Art on the Conditions of Our Time, New Art Exchange, Nottingham (2017); and OUTPOST Members’ Show 2016, Norwich (2016). In 2018, she was awarded both the Nigel Greenwood Research Prize and the Summer Residency at Hospitalfield, Scotland. She is currently participating in the residency programme at Rijksakademie voor
beeldende kunsten (Academy for fine arts), Amsterdam.
www.imaokon.co.uk

 

Image Credits //

sur—[Mix-Use Commodity]—plus, 2019. Installation view, Kingsgate Project Space, London. Courtesy of the artist. Photo Tim Bowditch.

Infinite Slippage: nonRepugnant Insolvencies T!-a!-r!-r!-y!-i!-n!-g! as Hand Claps of M’s Hard’Loved’Flesh [I’M irreducibly-undone because] —Quantum Leanage-Complex-Dub (2019). Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy of the artist. Photo: Andy Keate.

^^^^^^^^^^^^^^^^^^^^^^^^^, 2018.Installation view, there’s something in the conversation that is more interesting than the finality of (a title).Commissioned by The Showroom, London. Photo: Daniel Brooke. Courtesy the artist.

Parables for the BLAZER: Mahalia’s EXISTENCEandEXISTENTS-HyPEP fragrant stacking balm (306.HAL) Or Radical Hospitality in the a-n-t-i-c-i-p-a-t-o-r-y, 2018. Installation view, PlazaPlaza, London. Courtesy of the artist.

sur—[Mix-Use Commodity]—plus, 2019. Installation view, Kingsgate Project Space, London. Courtesy of the artist. Photo Tim Bowditch.

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