29 Sept – 12 Nov // Free and open to all Wed-Sun 11-5pm
Opening night // 28 Sept 5-9pm // With free Turf cocktails, plus BYOB welcome
At Turf Projects, 46/47 Trinity Court (Ground Floor), Whitgift Shopping Centre, Croydon CR01UQ
There are still three tower blocks standing in Carpenters estate. House for many, but home for few families; collateral damage of the London Olympics and an ambitious redevelopment by Newham Council.
Sometimes, when the evening sun hits the facade, you can see the interiors, the traces left behind by the neighbours that used to be there. Half-opening my eyes I look through my eyelashes, imagining that I turn into a kind of sneaky gas, able to get through the crannies and open windows of the abandoned flats. I imagine myself admiring the ecosystem that has developed there, with magical creatures cohabiting harmoniously in the spaces. When I have my eyes wide open, though, I see leaks, invasive plants, pigeons, insects and rats are actually the ones who share the blocks with the few neighbours that are still living in those neglected buildings. Those neighbours must be like water, adapting to any container. They are judged and put into boxes, flattened, actions which they are forced to revolt against to show themselves as multidimensional and meaningful. They find themselves riding through the peaks and troughs, the emotional rollercoaster of the housing market.
I feel shattered, trying to block the building view with my hands, which I see turning into fine dust, blending with those metallic nanoparticles already present in the polluted air. While these environmental nanoparticles are solid, they are so tiny, so invasive; able to disperse in water, the air, or linger on solid matter, such us our body. Here they get absorbed through our skin or respiratory system to sediment in our internal tissues, becoming part of us, increasing aggressive behaviour, premature dementia and being a known cause of cancer.
It is called regeneration. When a building is knocked down, it leaves a gap in the landscape, similar to the one a missing tooth leaves in the denture, where the air circulates freely; missing the mass, the warmth of that edifice it used to cast before.
Turf Projects has commissioned this solo exhibition ‘Peaks & Troughs’ by Saelia Aparicio Torinos. The exhibition – an installation, combines mural drawings, modified found objects, mouth blown glass, probiotics and pollution. Sculpture functions as either lenses and filters, distorting, multiplying, and letting the light through. Although it suggests some narrative, we can only see some parts of its structure, showing first an introduction, the surface, or epidermal layer of the city as a body, to then penetrate into its entrails, a world of darkness and artificial light.
Peaks & Troughs has been generously funded by the Arts Council England and Croydon Council.
// ABOUT SAELIA APARICIO
Saelia Aparicio lives on a secret island in London. She graduated in Sculpture at the Royal College of Art in 2015. She has had institutional solo shows at La Conservera (2012, Murcia, Spain) the Patio Herreriano Museum (2013, Valladolid, Spain) and Da2 2002 Domus Artium (2015, Salamanca, Spain)
Group shows include Bloomberg New Contemporaries 2016, the bluecoat ( Liverpool) and the ICA (London), Retour Sur Mulholland Drive, curated by Nicolas Bourriaud at La Panacée, Montpellier, France, And A Mysterical Day, curated by Tai Shani and the Serpentine Gallery public program.
In 2016 she was a resident at Sema Nanji, (Part of the Seoul Museum of Art, South Korea) and is currently enjoying a New Contemporaries studio Bursary with Sarabande, The Lee Alexander Mcqueen Foundation. She is also currently working towards a second solo show : Your Consequences Have Actions at The Tetley, Leeds.
Her multidisciplinary work dwells on ideas of the organic, establishing analogies between corporeal and social mechanisms.