Exhibition signage lettering from Bryony Gillard’s exhibition ‘A cap like water, transparent, fluid yet with definite body’ in 2018.
Situated between writing, performance, video and exhibition making, Bryony Gillard
’s practice draws on the notion of ‘constant revision’ — states of being in which structures or ideas can be subverted, dissolved or questioned. Often focusing on investigating marginalized Herstories and practices, her work reflects upon events, approaches and ideas that refuse to be pinned down or categorized. Through a process of both uncovering and layering influences, histories and conversations, her work attempts to create a space for genealogies of Feminist practice that are allusive, messy and entangled in contemporary concerns.Bryony has an MFA from the Dutch Art Institute, School for Art Praxis
. Forthcoming projects in 2018 include a solo presentation at Turf Projects, Croydon and a group exhibition exploring the writings of Virginia Woolf at Tate St.Ives, Pallant House (Chichester) and the Fitzwilliam Museum (Cambridge). Her work has been included in a range of national and international contexts including Documnt (New York/Berlin), BB15 (Linz), Exeter Phoenix (U.K), Casa de Pova (São Paulo), Upominki (Rotterdam).