a silver car door with mutable cloud / smoke like illustrations painted in the window, the bottom of the door shows the black wires

ARTISTS LUNCHTIME CRIT: Led by Saelia Aparicio

SAT 28 OCT 12-2PM // AT TURF, 46/47 Trinity Court (Ground Floor), Whitgift Shopping Centre, Croydon CR01UQ // FREE & OPEN TO ALL


Calling all artists, art students, performers and graduates alike!

Taking place every last Saturday of the month, our lunchtime crits give artists a chance to get feedback on their work from a practicing artist in a supportive and friendly environment. October’s crit will be led by Saelia Aparicio, artist of Peaks & Troughs.

Email us your images beforehand at at info@turf-projects.com along with any additional requirements if you’d like us to get images up full scale on our projector!

Participation isn’t mandatory – you’re welcome to simply come and view the works and take part in the discussions



Saelia Aparicio lives on a secret island in London. She graduated in Sculpture at the Royal College of Art in 2015. She has had institutional solo shows at La Conservera (2012, Murcia, Spain) the Patio Herreriano Museum (2013, Valladolid, Spain) and Da2 2002 Domus Artium (2015, Salamanca, Spain)

Group shows include Bloomberg New Contemporaries 2016, the bluecoat ( Liverpool)  and the ICA (London), Retour Sur Mulholland Drive, curated by Nicolas Bourriaud at La Panacée, Montpellier, France, And A Mysterical Day, curated by Tai Shani and the Serpentine Gallery public program.

In 2016 she was a resident  at Sema Nanji, (Part of the Seoul Museum of Art, South Korea) and is currently enjoying a New Contemporaries studio Bursary with Sarabande, The Lee Alexander Mcqueen Foundation. She is also currently working towards a second solo show : Your Consequences Have Actions at The Tetley, Leeds.

Her multidisciplinary work dwells on ideas of the organic, establishing analogies between corporeal and social mechanisms.




Burning with joy, ASC Gallery, London 2016
Gutted, reversed acrylic paint on found object, mural, 2016
Looking from an angle, expoxy resin, pigment on found object, 2016
Pack, 100×70, ink on paper, 2016
carpenters rd, RCA degree show project, 2016




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